Late last year I read my son most of Diane Duane’s So You Want to be a Wizard.  I was reminded again of what struck me the first time I read the book  (and its sequels): for a young-adult fantasy novel, it brings into  unusually clear focus how doing good means setting aside your own needs  (and maybe your life) in service of something bigger. Self-sacrifice is  one of the central common themes in hero-stories, which make up a lot of  fantasy fiction (self-discovery being the other big theme). But there's  usually a narrative-distance gap that dulls its emotional impact: either the novel is set  far enough away in time and/or space that the behavior seems exceptional to our life and times, or  else it's not the character that you as reader really identify with that  does the self-sacrificing; your stand-in character is witness, not willing  victim.
Meanwhile, I am getting tired of the idea of actually  saving the Universe, or the Earth, or Life. I am getting tired of people  who overstep their truth. I just get tired of feeling like I need to  clean up after radical theoreticians when I read them, like I have to  measure every sentence to see if they are still speaking from experience  or generalizing out into an barely-tenable conclusion. And I think it's  like the idea of our "saving the Earth" or "saving life on Earth":  Folks, we'd have to work pretty damned hard to actually wipe out  microbial life, or even vertebrate life, or even mammalia, let alone  primates, let alone Homo Sapiens. "Western  civilization" I can see getting wiped out over some lengthy period of  time, though it will take some doing to wipe away so much printed and  absorbed knowledge. And what hubris to think we can "save the Earth." It  is large, and contains unbelievable multitudes. (see this post by Keith Humphreys that pretty much sums it up for me)
I've noticed for a long time in movies and comic books and  fantasy novels, that when there's a battle for the Universe, it usually takes place in the author's backyard. Wherever the author lives, that's where  the Ultimate Conflict will be. So Tom Clancy has a showdown in  Washington, Harry Potter and Doctor Who in England, Godzilla in Tokyo...  somewhere there's a Malaysian hero-movie with the Ultimate Battle in  Kuala Lumpur, and a telenovela  with the world-saving hero's sword is locked in combat somewhere near Buenos Aires. Probably  the dolphins have a long-running series on the Ultimate Battle With the Orcas of  Puget Sound.
There is something wonderful about your own backyard  becoming the center of the universe. English fantasies do this well:  old battles that were, for their participants, the center of  creation—the invasions of Celts, Romans, Anglo-Saxons, Vikings, Normans;  the endless wars since—are placed against the determinedly bucolic and  ordinary lives of our lead characters, living in undramatic  late-twentieth-century England.
American fantasy writers struggle to do this as effectively. I have  often wondered why this is. For a long time I wondered if it's because,  with the exception of Native American religions and the Mormons, we do  not have the Center of the Universe posited here by our religions. But  I'm coming to wonder if it has more to do with the fact of fighting over  land. The English are just as uncentered religiously: yes there's  Canterbury, but the Holy Land is as religio-centric as it is here in  North America.
No, I think the depth of people physically battling over land may be the  key. There are few battlefields here in North America, and what there are are mostly framed  as battles over principle rather than invasions. Really only Euro vs  Native wars qualify in the same way as those repeated invasions of  England, and those are a still a little crisply engraved in our cultural memory to work as the resonant underpinning to fiction, and the descendants of Europeans remain on the side of the Normans and the Vikings... the bad guy invader side. I wonder what it will take, in terms of action and the erosive quality of time, for us to get past the American equivalent of Ivanhoe-ish divisions.

I find it interesting that Neil Gaimon, an Englishman, has written one of the best American "save the universe" novels: "American Gods." And he did it by expanding the American pantheon to include all possible immigrant gods. A clever fellow that Neil, as well as being a very adept stylist.
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